Sentiment and Perception: Editorial Cortex in Andre Gide’s <i>Pastoral Symphony</i>

Sekou Cherif

doi:doi:10.11648/j.ijla.20221004.15

| Peer-Reviewed

Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony

Sekou Cherif

Published in International Journal of Literature and Arts (Volume 10, Issue 4)

Received: 8 July 2022 Accepted: 25 July 2022 Published: 10 August 2022

Views: Downloads:

Download PDF

Share This Article

Twitter
Linked In
Facebook

Abstract

The sentimental and perceptive expression cross several literary productions among which we can quote André Gide’s La Symphonie pastorale. The author puts in the foreground a fictional diarist who is torn between religious principles and affects for a daughter that amaurosis plunges into a recluse existence. Indeed, taken in by the latter after the death of her guardian, she lives a religious education which is inculcated to her by the narrating subject. Expressing a reciprocal sensitivity towards the subject actor in this state, Gertrude, the object actor, manifests an affective inversion after the recovery of her sight. She is now in love with Jacques, the narrator's son, who was a suitor for her in her blindness; hence the dialectic of feeling and perception. Thus, this conceptual field seems the nodal point of the Gidian text. Taking into account the different notions, this article aims at deciphering the narration through narrative semiotics and theories of perception. It is precisely a question of identifying the construction of the narrative fabric which seems, on the one hand, encrypted and governed by affective affordance, and, on the other hand, by the "phenomenological-empirical" relationship of perception. In fact, the study will reveal the combinatory system of concepts that, through the writer's scriptural strategy, presents itself contrapuntally.

Published in	International Journal of Literature and Arts (Volume 10, Issue 4)
DOI	10.11648/j.ijla.20221004.15
Page(s)	220-227
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2022. Published by Science Publishing Group

Keywords

Editorial Cortex, Narrative Dendrite, Axonal Functioning, Perception, Feeling, Gidian, Romance

References

[1]	Briens Sylvain, & De Saussure Louis. (2018). «Littérature, émotion et expressivité. Pour un nouveau champ de recherche en littérature», ["Literature, emotion and expressiveness. For a new field of research in literature"], in Revue de littérature comparée XCII, n°1, janvier-mars, doi: 10.3917/rlc.365.0067.
[2]	Cherif Sékou. (2022). “La perception, centrum de l’imaginaire modianesque dans Vestiaire de l’enfance”, ["The perception, centrum of Modian imaginary in Vestiaire de l’enfance"] in Altralang Journal, vol. 4 Issue 01.
[3]	Cherif Sékou. (2021). «Marcel Proust entre sédentarisme et voyage», ["Marcel Proust between sedentary life and journey"], La Revue du centre de recherche et d’études en littérature et sciences du langage, n°12, octobre, ISSN: 2226-2695.
[4]	De Waelhens Alphonse. (1967). Une Philosophie de l’ambiguïté: l’existentialisme de Maurice Merleau-Ponty, [A philosophy of ambiguity: the existentialism of Maurice Merleau-Ponty], Paris: Béatrice-Nauwelaerts Éditions.
[5]	Fozza Jean-Claude, Garat Anne-Marie & Parfait Françoise. (1989). Petite fabrique de l’image, [Small image factory], Paris: Magnard.
[6]	Geninasca Jacques. (1995). «Sémiotique», in Introduction aux études littéraires: Méthodes et textes, ["Semiotic" in Introduction to Literary studies: Methods and Texts], Paris: Duclot. [Under the direction of Maurice Delacroix and Fernand Hallyn].
[7]	Gide André. (2009). Correspondance avec Paul Valéry 189-1942, [Correspondence with Paul Valery 189-1942], Paris: Gallimard, coll. «Cahiers André Gide».
[8]	Gide André. (1997). La Symphonie pastorale, [The pastoral Symphony], Paris: Gallimard, coll. «Folio».
[9]	Gide André. (1994). Les Faux-monnayeurs, [The Counterfeiters], Paris: Gallimard, coll. «Folio».
[10]	Gide André. (1926). Paludes, [Marshlands], Paris: Gallimard.
[11]	Gide André. (1923). Dostoïevski, [Dostoïevsky] Paris: Plon, coll. «La critique».
[12]	Greimas Algirdas Julien, Fontanille Jacques. (1991). Sémiotique des passions: des états de choses aux états d’âme, [The Semiotics of Passion: From States of Affairs to States of Feelings], Paris: Seuil.
[13]	Jordane Benjamin. (1995). Toute ressemblance…, [Any resemblance…], Seyssel: Éditions Champ Vallon. [Text prepared, presented and annotated by Stefan Prager].
[14]	Legrand Justine. (2012). André Gide: de la perversion au genre sexuel, [Andre Gide: from perversion to sexual gender], Paris, Orizons.
[15]	Pagès Max. (1986). Trace ou sens: le système émotionnel, [Trace or sense: the emotional system], Paris: Hommes & Groupes Éditeurs.
[16]	Ricœur Paul. (2005). «Fonction narrative», ["Narrative function"], in Le Temps du texte, ETR, vol. 4, n° Hors-série.
[17]	Rimé Bernard. (2005). Le Partage social des émotions, [The social sharing of emotions], Paris: Presses universitaires de France.
[18]	Schwob Marcel. (2002). «La terreur et la pitié» préface à Cœur double, ["Terror and pity" preface to Double Heart], in Œuvres, Paris: Phébus.
[19]	Simonet-Tenant Françoise. (2001). Le Journal intime: genre littéraire et écriture ordinaire, [The diary: literary genre and ordinary writing], Paris: Nathan/HER. [Work published under the direction of Claude Thomasset].
[20]	Strawson Peter Frederick. (2008). Scepticism and Naturalism: Some Varieties, London and New York: Routledge.
[21]	Valéry Paul. (1974). Cahiers, t. II, [Notebooks, t. II], Paris: Gallimard, coll. «Bibliothèque de la Pléiade». [Edition presented and annotated by Judith Robinson].

Cite This Article

Plain Text BibTeX RIS

APA Style

Sekou Cherif. (2022). Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony. International Journal of Literature and Arts, 10(4), 220-227. https://doi.org/10.11648/j.ijla.20221004.15

Copy | Download

ACS Style

Sekou Cherif. Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony. Int. J. Lit. Arts 2022, 10(4), 220-227. doi: 10.11648/j.ijla.20221004.15

Copy | Download

AMA Style

Sekou Cherif. Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony. Int J Lit Arts. 2022;10(4):220-227. doi: 10.11648/j.ijla.20221004.15

Copy | Download

@article{10.11648/j.ijla.20221004.15,
  author = {Sekou Cherif},
  title = {Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony},
  journal = {International Journal of Literature and Arts},
  volume = {10},
  number = {4},
  pages = {220-227},
  doi = {10.11648/j.ijla.20221004.15},
  url = {https://doi.org/10.11648/j.ijla.20221004.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20221004.15},
  abstract = {The sentimental and perceptive expression cross several literary productions among which we can quote André Gide’s La Symphonie pastorale. The author puts in the foreground a fictional diarist who is torn between religious principles and affects for a daughter that amaurosis plunges into a recluse existence. Indeed, taken in by the latter after the death of her guardian, she lives a religious education which is inculcated to her by the narrating subject. Expressing a reciprocal sensitivity towards the subject actor in this state, Gertrude, the object actor, manifests an affective inversion after the recovery of her sight. She is now in love with Jacques, the narrator's son, who was a suitor for her in her blindness; hence the dialectic of feeling and perception. Thus, this conceptual field seems the nodal point of the Gidian text. Taking into account the different notions, this article aims at deciphering the narration through narrative semiotics and theories of perception. It is precisely a question of identifying the construction of the narrative fabric which seems, on the one hand, encrypted and governed by affective affordance, and, on the other hand, by the "phenomenological-empirical" relationship of perception. In fact, the study will reveal the combinatory system of concepts that, through the writer's scriptural strategy, presents itself contrapuntally.},
 year = {2022}
}

Copy | Download

TY  - JOUR
T1  - Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony
AU  - Sekou Cherif
Y1  - 2022/08/10
PY  - 2022
N1  - https://doi.org/10.11648/j.ijla.20221004.15
DO  - 10.11648/j.ijla.20221004.15
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 220
EP  - 227
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20221004.15
AB  - The sentimental and perceptive expression cross several literary productions among which we can quote André Gide’s La Symphonie pastorale. The author puts in the foreground a fictional diarist who is torn between religious principles and affects for a daughter that amaurosis plunges into a recluse existence. Indeed, taken in by the latter after the death of her guardian, she lives a religious education which is inculcated to her by the narrating subject. Expressing a reciprocal sensitivity towards the subject actor in this state, Gertrude, the object actor, manifests an affective inversion after the recovery of her sight. She is now in love with Jacques, the narrator's son, who was a suitor for her in her blindness; hence the dialectic of feeling and perception. Thus, this conceptual field seems the nodal point of the Gidian text. Taking into account the different notions, this article aims at deciphering the narration through narrative semiotics and theories of perception. It is precisely a question of identifying the construction of the narrative fabric which seems, on the one hand, encrypted and governed by affective affordance, and, on the other hand, by the "phenomenological-empirical" relationship of perception. In fact, the study will reveal the combinatory system of concepts that, through the writer's scriptural strategy, presents itself contrapuntally.
VL  - 10
IS  - 4
ER  -

Copy | Download

Author Information

Sekou Cherif

Letters and Humanities, San Pedro University, San Pedro, Ivory Coast

Download PDF

Sections

Plain Text BibTeX RIS

APA Style

Sekou Cherif. (2022). Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony. International Journal of Literature and Arts, 10(4), 220-227. https://doi.org/10.11648/j.ijla.20221004.15

Copy | Download

ACS Style

Sekou Cherif. Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony. Int. J. Lit. Arts 2022, 10(4), 220-227. doi: 10.11648/j.ijla.20221004.15

Copy | Download

AMA Style

Sekou Cherif. Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony. Int J Lit Arts. 2022;10(4):220-227. doi: 10.11648/j.ijla.20221004.15

Copy | Download

@article{10.11648/j.ijla.20221004.15,
  author = {Sekou Cherif},
  title = {Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony},
  journal = {International Journal of Literature and Arts},
  volume = {10},
  number = {4},
  pages = {220-227},
  doi = {10.11648/j.ijla.20221004.15},
  url = {https://doi.org/10.11648/j.ijla.20221004.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20221004.15},
  abstract = {The sentimental and perceptive expression cross several literary productions among which we can quote André Gide’s La Symphonie pastorale. The author puts in the foreground a fictional diarist who is torn between religious principles and affects for a daughter that amaurosis plunges into a recluse existence. Indeed, taken in by the latter after the death of her guardian, she lives a religious education which is inculcated to her by the narrating subject. Expressing a reciprocal sensitivity towards the subject actor in this state, Gertrude, the object actor, manifests an affective inversion after the recovery of her sight. She is now in love with Jacques, the narrator's son, who was a suitor for her in her blindness; hence the dialectic of feeling and perception. Thus, this conceptual field seems the nodal point of the Gidian text. Taking into account the different notions, this article aims at deciphering the narration through narrative semiotics and theories of perception. It is precisely a question of identifying the construction of the narrative fabric which seems, on the one hand, encrypted and governed by affective affordance, and, on the other hand, by the "phenomenological-empirical" relationship of perception. In fact, the study will reveal the combinatory system of concepts that, through the writer's scriptural strategy, presents itself contrapuntally.},
 year = {2022}
}

Copy | Download

TY  - JOUR
T1  - Sentiment and Perception: Editorial Cortex in Andre Gide’s Pastoral Symphony
AU  - Sekou Cherif
Y1  - 2022/08/10
PY  - 2022
N1  - https://doi.org/10.11648/j.ijla.20221004.15
DO  - 10.11648/j.ijla.20221004.15
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 220
EP  - 227
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20221004.15
AB  - The sentimental and perceptive expression cross several literary productions among which we can quote André Gide’s La Symphonie pastorale. The author puts in the foreground a fictional diarist who is torn between religious principles and affects for a daughter that amaurosis plunges into a recluse existence. Indeed, taken in by the latter after the death of her guardian, she lives a religious education which is inculcated to her by the narrating subject. Expressing a reciprocal sensitivity towards the subject actor in this state, Gertrude, the object actor, manifests an affective inversion after the recovery of her sight. She is now in love with Jacques, the narrator's son, who was a suitor for her in her blindness; hence the dialectic of feeling and perception. Thus, this conceptual field seems the nodal point of the Gidian text. Taking into account the different notions, this article aims at deciphering the narration through narrative semiotics and theories of perception. It is precisely a question of identifying the construction of the narrative fabric which seems, on the one hand, encrypted and governed by affective affordance, and, on the other hand, by the "phenomenological-empirical" relationship of perception. In fact, the study will reveal the combinatory system of concepts that, through the writer's scriptural strategy, presents itself contrapuntally.
VL  - 10
IS  - 4
ER  -

Copy | Download